Here are the details on how to create an Easy Setup for video from a Canon 5D Mark II that has been transcoded to ProRes 422 (which seems to be the consensus recommendation for how to edit 5DMKII video, at least, if you've got FCP 6). Create a new project and work with that.You'll need to make changes that are appropriate for your video format, but they should be obvious. If you are using a different kind of video that is using a non-NTSC framerate, the following takes you through the steps to create the Easy Setup. Note that if you had already created a sequence before performing those steps, you need to throw it out and re-create it from scratch. Choose this Easy Setup, restart Final Cut and all should be good. If you are editing video from a Canon 5D Mark II using the ProRes 422 codec, you can download the Easy Setup here and copy it to /Library/Application Support/Final Cut Pro System Support/Custom Settings. Fortunately you can prevent this from happening by using the right kind of Easy Setup. This seems like a bug to me-I can't imagine any situation where I would want it to do this. But what happens is that when you add an audio track to the timeline, Final Cut retains some memory of the NTSC settings and applies an NTSC adjustment to the playback speed of the audio. When you work with 30 fps material, you might expect that ensuring that the sequence frame rate is 30 (and not 29.97) would be enough to make things work. If you do a lot of work with NTSC video, your default settings in Final Cut might be something like HDV 1080p30 which has a framerate of 29.97 fps. Video from a DSLR and other still cameras is typically recorded with a frame rate of 30 fps. Details below, but first some background. The quirk has come to be known as the 99.9% problem: when audio is combined with 30 fps video, the audio speed (sometimes) needs to be adjusted by the NTSC factor of 99.9% (actually 1000/1001).įortunately there is a simple fix for this: use an Easy Setup for 30 fps. This has been discussed in recent blog postings (see, for example the comment at 9:45 of the Zacuto video here). ![]() ![]() If you are using Final Cut Pro with such video there is one quirk that you need to be aware of. Many non-traditional cameras shoot video at 30 fps instead of the more usual (in some parts of the world) NTSC rate of 29.97 frames per second (fps). This can be done manually or automatically using our PluralEyes product. The price to pay for these benefits is a small one: you need to synchronize the audio and video in post-production. It is particularly effective for video coming from a DSLR like the wildly popular Canon 5D Mark II. Since the quality of built-in mics and audio systems of cameras are generally not nearly as good as the video, dual-system is a convenient way to get high-quality sound. Progress Plus is a different effect with a different intent than Progress % of Clip.What is dual-system audio?ĭual-system audio is one name for the technique of recording audio and video on separate devices, and then combining them in post-production. Retiming video or stretching out titles/generators work just as well - simply update the Clip Length parameter. This effect can be added to video clips, still images, generators and titles. To enter a time like 1:09:09, simply type “1.9.9”. For example, you can enter 30 minutes as “30.”, “30,”, “30 ” or “30::” and Final Cut will fill in the zeros for you. Keyboard shortcuts for timecode entry work. If you use the time options, you supply the Clip Length by typing in the timecode length and set the Timebase to your project’s frame rate (or closest non-drop-frame value). Options to Show Time, Show 10ths (of seconds), Show Leading 0, and Show Frames (frame count). The bar can be customized with bar color, track color, outline color, width, height, vertical position on the screen and blend mode. On “drop”, this is a simple progress bar. This effect is compatible with all supported time bases offered by Final Cut Pro: 24, 25, 30, 50 and 60 frames per second (drop-frame projects should use the nearest whole number project timebase.) You don’t need this effect if you use his method, but this effect offers so much more, plus the convenience! Progress Plus was inspired by a video by Ben Halsall on YouTube.
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